11 September 2015At the opening of the 12th Moshito Music Conference and Exhibition at the SABC, Auckland Park on Thursday 10 September 2015, venue hosts SABC and Moshito partners the Department of Arts and Culture assured delegates of their continuing support in helping initiatives like Moshito in developing and curating South African music.Celebrating the legacy of SA music #fromkwelatohop & not forgetting our fallen heroes #TheGreatSouthAfricanSongbook pic.twitter.com/HrultThKBX— #Moshito2015 (@moshito_music) September 9, 2015Moshito Music Conference chairperson Sipho Sithole welcomed guests, delegates and visitors to the conference, saying that the Moshito ideal was to make the event a “premier destination for music makers and the music business” not only for Africa, but for the world. This year the conference has invited music business representatives and musicians from as far as China, Brazil and Jamaica to share and exchange ideas on how to strengthen the business as a viable commodity in the digital age.Chairperson of #Moshito2015 Mr Sipho Sithole opens the conference with a brief historical background and emphasizes it’s capacity to accomodate members of the entertainment industry #TheBusinessofMusicPosted by Moshito Otswela Pele on Thursday, September 10, 2015Sithole said that in the 12 years the conference had been running, Moshito has achieved a reputation as being the “most admired local event for music business engagement”, and that the three-year relationship the conference has built with the Department of Arts and Culture has only strengthened that credibility.In explaining this year’s conference theme, “From Kwela to Hop”, Sithole said Moshito wants to highlight the respect paid to South African music of the past, and how that respect informs and guides the music of the present and future. “South Africa,” he said, “wants to be known for a variety of genres: this variety defines who we are as a country.” But the conference, he said, pointing to the selection of musical showcases and collaborations with international artists to be held during the event, was not just about talking about music, but also an opportunity to feel, see and hear the power of South African music.#Moshito2015 Mr Matlala took the floor emphasizing the importance of the conference and exhibition #TheBusinessofMusic #TheGreatSouthAfricanSongbook #FromKwelatoHopPosted by Moshito Otswela Pele on Thursday, September 10, 2015In some words of support for the conference, SABC Group CEO Frans Matlala welcomed Moshito to the SABC venue, calling the event a pivotal instrument in promoting music across Africa, saying it was “fundamental in preserving South African culture.” He requested that Moshito do its part in telling the South African story to the world. Matlala hoped, as the success of Moshito grew, that the power of music would bring the rest of the world back to Africa. Matlala was confident this year’s event would be the best one yet, pledging that Moshito would always have a home at the SABC.SABC COO Hlaudi Motsoeneng reiterated that commitment, praising Moshito for “doing well to stand by local artists.” He did, however, urge the music business in general to find a way to bring the various organisations that dealt with finances and support systems of the music industry under one umbrella organisation to insure a holistic philosophy to deal with the challenges of the industry. One of those challenges is the payment of music royalties to songwriters and artists, and Motsoeneng announced that after long negotiations with the industry, the SABC would commit to paying outstanding royalties to the sum of R100 million to local artists.“We want to make sure the money reaches the right people,” he said. Motsoeneng welcomed Moshito and its visitors to the SABC, saying the event’s philosophy “reminds us of where we come from, as well as where we, as a nation, are going.” The SABC is committed to adding more of that history, the legacy and the works of some of the country’s greatest music artists past and present, to all radio and television programming.Motsoeneng concluded by urging all music lovers to be active in that curation of culture by paying TV licences, the money from which goes back into promoting that culture to more South African, the African continent and the rest of the world.Representing the Minister of Arts and Culture, Deputy Director General of the department Monica Newton praised Moshito for changing the cultural landscape of the country over its 12 year existence. “It gives me a warm feeling in my heart that events like this do so much for nation building,” Newton said, adding that the Moshito organisation did well with dealing with the trials and tribulations of the music industry on behalf of the artists and music lovers in general, highlighting the challenges faced by the industry like piracy and technology changes. Newton added that it was important to create a living heritage of the arts in South Africa, respecting and honouring the legends of the past, using the lessons learnt from that to help guide and grow local musical culture into the future.“Music,” Newton said, “was a canary in a coalmine for society, a way to measure and negotiate the cultural landscape,” adding that the department’s partnership with Moshito was a pleasure and privilege to be part of. Newton concluded in wishing the event success and hoped it would become the foremost collaborator with both local artists and in its growing international friendships, “the people of Moshito have done a lot of hard work in strengthening the music business, and we wish them well for the future.”Lemmy “Special” Mabaso @EmileYX & Chachi Carvalho took us on a journey #FromKwelatoHop #Moshito2015 #AfroWorldNight pic.twitter.com/oQYHDgx2nE— #Moshito2015 (@moshito_music) September 10, 2015The Moshito Conference and Exhibition includes discussions on various aspects of the music industry in both local and international contexts, as well as looking at trends and changes that touch both the business and artistic development. Seminars include music branding, archiving of musical legacy, changes in digital musical technology, song writing and exploring new markets for music.In between the seminars, visitors and delegates will be entertained by various public performances at the exhibition at the SABC’s Radio Park venue, as well as at some of Johannesburg’s legendary music venues.The Kwaito & Hiphop discussion seeks to unpack the messages & context behind these genres #Moshito ^KM pic.twitter.com/hEnkeLeH07— City of Joburg (@CityofJoburgZA) September 10, 2015The exhibition marquee showcases a range of top industry goods,service providers and organisations #Moshito2015 …Posted by Moshito Otswela Pele on Thursday, September 10, 2015The conference will culminate with a special concert titled “The Great South African Song Book” on Saturday, 12 September at Newtown Park featuring an all- star collection of some of South Africa’s best music artists, including Arthur, Judith Sephuma, Mzwakhe Mbuli and Cortina Whiplash.The beautiful songtress Ms Judith Sephuma took over the night as she graced the #Moshito2015 Afro World Night with her…Posted by Moshito Otswela Pele on Thursday, September 10, 2015
Share Facebook Twitter Google + LinkedIn Pinterest U.S. agriculture celebrated a U.S. trade agreement with Japan that, once implemented, will place it back on a level playing field with international competitors in one of its most important export markets. The agreement was announced at the G7 summit in France during a press conference with U.S. President Donald Trump, Japanese Prime Minister Shinzo Abe and U.S. Trade Representative Robert Lighthizer.“We thank the Trump administration for negotiating a trade agreement with Japan, a market that represented 25 percent of total U.S. pork exports last year,” said David Herring, a pork producer from Lillington, N.C. and president of the National Pork Producers Council. “We look forward to rapid implementation of the agreement as international competitors are currently taking U.S. pork market share through more favorable access.”Dr. Dermot Hayes, an economist at Iowa State University, estimates exports to Japan will grow from $1.6 billion in 2018 to more than $2.2 billion over the next 15 years as a result of the United States pork industry getting market access in Japan as favorable as its competitors.U.S. pork is highly dependent on exports, shipping more than 25 percent of total production to foreign markets. Other NPPC trade priorities include ratification of the U.S.-Mexico-Canada (USMCA) agreement, which preserves zero-tariff pork trade in North America, and resolving trade disputes with China that will enable U.S. pork producers to capitalize on an unprecedented sales opportunity with the world’s largest pork-consuming nation.“The United States produces the safest, highest-quality and most affordable pork in the world,” Herring said. “It is the preference of many Japanese customers and we look forward to competing on a level playing field again.”
curt hopkins 4 Keys to a Kid-Safe App As Discovery News points out in their coverage, destroyed sites are marked with black spots, sites at immediate risk of destruction (rescue-needed) are red, at-risk sites orange and stable ones are marked with green.So far, 40 of the 80 sites identified as rescue-needed have been supported with threat-and-planning support documents. Those sites include Great Zimbabwe, the old city of Damascus in Syria, Samarra in Iraq and Antigua Guatemala. The value of saving and stabilizing these sites is not strictly intellectual and cultural. An earlier Global Heritage Network report estimated a $100 billion boon in tourism dollars annually by 2025 could result from preservation of the sites in its database. 5 Outdoor Activities for Beating Office Burnout Related Posts 9 Books That Make Perfect Gifts for Industry Ex… Tags:#art#Google#international#Location#web 12 Unique Gifts for the Hard-to-Shop-for People… The Global Heritage Fund has launched a web-based global tracking platform that identifies, monitors and communicates threatened sites in developing countries to scientists, governments and local activists. The Global Heritage Network brings data from Google Earth, Esri, DigitalGlobe together with social networking information to identify at-risk sites in places where the resources for such surveys are in short supply.